Friday, April 24 at 7pm: Kartemquin Members’ Work for Hire

Media Burn is proud to have played a small role in making this screening possible. Don’t miss this rare opportunity to see films and videos from the Kartemquin archive that have never screened publicly!

Part I of “The Streets and the Classrooms: Educational and Industrial Films in an Era of Massive Social Change,” created by South Side Projections.

Presented by Judy Hoffman (University of Chicago, Kartemquin Films member) and Gordon Quinn (Kartemquin Films Co-Founder)
Reva and David Logan Center for the Arts
University of Chicago
915 E. 60th Street
Free admission

Chicago’s Kartemquin Films is known for its socially engaged documentaries, but funds haven’t always been plentiful. So, like many Chicago-based documentary filmmakers, they did work for hire to raise money for their projects and pay their rent. But it wasn’t just about getting paid: they used this work as an opportunity to hone their craft and learn about different worlds of work, from fast food to organ transplants to automotive plants. This in turn opened the filmmakers up to thinking about their own relationship to the film industry. In films like Strange and Beautiful (about quality control at McDonald’s) and Roadmap for Change: The Deming Approach (about a radical experiment at a Pontiac factory), the filmmakers behind such classic documentaries as The Last Pullman Car and Hoop Dreams figured out how to survive and perfect their craft. Most of these films have never screened publicly.
1976-1990, 81 min., 16mm and video projection

Still from “Roadmap to Change: The Deming Approach.”
This program is made possible by a grant from the Illinois Humanities Council, the National Endowment for the Humanities, and the Illinois General Assembly. Further support comes from The MacArthur Funds for Arts & Culture at the Richard H. Driehaus Foundation; Black Cinema House; the Reva and David Logan Center for the Arts, Arts and Public Life, Center for the Study of Race, Politics and Culture and the Film Studies Center at the University of Chicago; and Media Burn Independent Video Archive.



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