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  • [Chicago Slices raw: Marc Smith]

    [Chicago Slices raw: Marc Smith]

    Raw footage for “Chicago Slices,” a series documenting life in and around Chicago, that aired on WPWR-50 in the early 1990s. This video covers the semi-final of a poetry slam at the Green Mill, and consists mostly of short clips of various poets, as well as Marc Smith’s entire poem. Continue reading

  • Kalyian

    Kalyian

    “Kalyian was inspired by the blind princess from the island of Samar, a freedom fighter and founder of the Philippine martial art Kali. Blind since birth, this legendary princess possessed an extraordinary sixth sense and sensitivity towards energy and life forces that she could not be defeated by even the fiercest of warriors. Kalyian is a modern-day personification of the female warrior spirit. It depicts the timeless battle of women, whose inherent warrior qualities are first fought, then realized, and eventually developed into harmony with the total self. It is the same force that gives women of this nature, the strength to survive and succeed. Kalyian combines technology with techniques drawn from Kabuki Theater, dance and Kali to depict both a primordial and futuristic sensibility.

    In the tape, Kalyian encounters a figure clothed in black, face concealed. Narrow beams of light cut across a darkened space. Like two cats, they move about, appearing and disappearing into the shadows. At one point, the figure in black eludes her by leading her into a maze. As soon as Kalyian enters the maze, the space becomes alive; a montage of images bombards her. She responds instantly and attacks. Eventually, she becomes aware she is fighting her own fears, anger and aggression. The more conscious she becomes of this, the less fighting and destruction occurs. From this realization, Kalyian transforms her weapon into a flute to communicate through music to the figure in black. The figure responds to the music through dance. Image after image of the figure in black join in, moving together in harmony, they become one. Then, the figure reveals to Kalyian, her past actions and moments of self-realization. More and more, Kalyian recognizes parts of herself before her, until once again she is face to face with the figure in black. At this point, Kalyian realizes her subconscious has been her guide, leading her into self-realization and eventual transformation into a higher form of awareness. Kalyian has resolved her internal conflicts and is in harmony with herself.”–Barbara Sykes Continue reading

  • Bloody Bess, Part III

    Bloody Bess, Part III

    This tape features footage from a 1974 performance of “Bloody Bess,” produced by the Organic Theater Company in Chicago. The play was conceived by Stuart Gordon and written by William J. Norris and John Ostrander. It tells the story of Elizabeth Presberty, daughter of the Governor of the island of Tobago. After being taken prisoner by a group of pirates, she returns home to face betrayal and the murder of her family members. She eventually transforms herself into Bloody Bess, a rugged pirate captain out to bring those who have done her wrong to justice. Continue reading

  • Bloody Bess, Part I

    Bloody Bess, Part I

    This tape features footage from a 1974 performance of “Bloody Bess,” produced by the Organic Theater Company in Chicago. The play was conceived by Stuart Gordon and written by William J. Norris and John Ostrander. It tells the story of Elizabeth Presberty, daughter of the Governor of the island of Tobago. After being taken prisoner by a group of pirates, she returns home to face betrayal and the murder of her family members. She eventually transforms herself into Bloody Bess, a rugged pirate captain out to bring those who have done her wrong to justice. Continue reading

  • Bloody Bess, Part II

    Bloody Bess, Part II

    This tape features footage from a 1974 performance of “Bloody Bess,” produced by the Organic Theater Company in Chicago. The play was conceived by Stuart Gordon and written by William J. Norris and John Ostrander. It tells the story of Elizabeth Presberty, daughter of the Governor of the island of Tobago. After being taken prisoner by a group of pirates, she returns home to face betrayal and the murder of her family members. She eventually transforms herself into Bloody Bess, a rugged pirate captain out to bring those who have done her wrong to justice. Continue reading

  • Sam’s Cafe: A Media Inversion

    Sam’s Cafe: A Media Inversion

    This tape documents the activities of and media response to the Sam’s Cafe Three (David Schier, Marc Keyser, and Terri Keyser), a group that created several dramatic publicity stunts in order to demonstrate that the new way of protesting effectively should be by utilizing the media itself. The group sent out fake utility collection notices to 20,000 people in the Bay area with the return address of a local TV station and also sent excrement to local news media offices. Sam’s Cafe member Marc Keyser explains, “This is a work of art and it’s a sample of the inversion of mass media. Now this has begun and it stopped. Next time when the inversion of mass media begins, it will not stop.” It is an exciting and humorous look at a moment in time when the one-way flow of information through television was under heavy critique and the new technologies of portable video cameras and cable television seemed to offer an alternative. Continue reading

  • Tuli’s Montreal Revolt

    This tape features footage from a performance and rehearsal of Tuli Kupferberg’s Revolting Theatre. The performance footage was videotaped at McGill University in Montreal on March 5, 1971, while the rehearsal excerpts were taped throughout late 1969 and early 1970. The cast was Kupferberg; his best friend and collaborator, the late Lannes Kenfield (Aka “Lanny”); Tuli’s first son, Joey Sacks; Liz Reisner; Kupferberg’s wife Sylvia Topp; and Sandra Mobray Clarke, aka “Sandy Nisson.” Continue reading

  • Ballad of A.J. Weberman

    Ballad of A.J. Weberman

    Writer, Bob Dylan enthusiast, and coiner of the term “Dylanology,” A.J. Weberman sorts through Dylan’s garbage outside of his New York apartment in order to explain his methods of gathering and interpreting Dylan data. Bookended by David Peel & The Lower East Side playing “The Ballad of A.J. Weberman.” Continue reading