Everything Must Change
The first tape made by the Community TV Network through the Alternative Schools Video Project, in which students from Chicago’s West Garfield Park discuss their neighborhood.
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Image Union, episode 0021
Compilation episode of Image Union featuring “Street Show Auditions” by Drew Brown, Annette Barbier, Jerry Moyemont, and Jim Fahrenwald, “Rock Against Racism” by Jim Nitti and Jim Pasta, “Voices of the People” by Nancy Cruz, Sandra Ortiz, Mirko Popadic, Sandra Rogers, and Denise Zaccardi, and “Continued to Death” by Scott Jacobs, Tony Medici, and Mirko Popadic.
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Image Union, episode 0009: Women
Hour long compilation episode of Image Union featuring “Jane Byrne Election Night” by Scott Jacobs with Cindy Neal and Lilly Ollinger,”La Traviata” by Catherine DeJong, “Four Women Over 80” by Max Greenberg, an excerpt from “Two is Better” by Jane Gaines, “Rugby Women” by Eleanor Boyer, a tape from the Community TV Network, “Curtain” by Barbara Laitham, an excerpt from “Self Defense” by Michelle Citron, and “Girls Talk Liberation” by Lilly Ollinger.
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Image Union, episode 0002
Hour long compilation episode of Image Union featuring “Busia and Cioc” by Valjean McLenighan, “Newsquake” by Warren Leming and Nate Herman, scenes from “Think Twice” by Ruiz Bevis Community TV Class, “Going Shopping” by Andrew Aaron, “Beach Ball Boogie” by Annette Barbier, “Phoneme Frolics” by Dana Hogdon, “Silly Geese,” “The White Rock Blues” by Sally and Ray Cioni, scenes from “Making it in Hollywood” by Frank Cavestani, “Listen, Santa” by Lilly Ollinger, and “Teagarden” by Dana Hodgdon.
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Slices of Chicago
Compilation tape highlighting the work of the members of the Chicago Area Videomakers Coalition. The group was formed in 1977 to formally bring together Chicago’s independent videomakers to create a higher profile and bring their work to the public. This tape was first broadcast on Channel 44 on June 18, 1977, based on a commitment from general manager Ed Morris. The production of this tape made it apparent that the most pressing need in the videomaking community was editing facilities. In 1978, aided by the visibility produced by the sampler tape, the Coalition opened the Chicago Editing Center, which provided low-cost editing facilities to the public on a first-come, first-serve basis.