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  [Making It In Hollywood raw #46]

  American Way, CLIR, Guerrilla Television, Making it in Hollywood, On the Media

  Raw footage for the 1976 documentary “Making It In Hollywood,” which follows several actors as they attempt to break into the movie business. At a casting call at Goldwyn Studios for a new Mae West movie, “Sextette”. Numerous actors eagerly line up for a chance to give their resumes to the casting director. An actor from Georgia is interviewed, and says that casting directors discriminate against Southern accents. Several actors who are lined up to get in to the casting call are interviewed.

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  [Making It In Hollywood raw #29]

  American Way, CLIR, Guerrilla Television, Making it in Hollywood, On the Media

  Raw footage for the 1976 documentary “Making It In Hollywood,” which follows several actors as they attempt to break into the movie business. A continuation of footage from one of John-Roger’s spiritual gatherings at his Church of the Movement of Spiritual Inner Awareness, attended by Sally Kirkland. John-Roger sits on stage in a large armchair on a platform and preaches to the crowd, who sits cross-legged on the ground and looks up at JR.

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  [Making It In Hollywood raw #6, Sally’s House]

  American Way, CLIR, Guerrilla Television, Making it in Hollywood, On the Media

  Raw footage for the 1976 documentary “Making It In Hollywood”, which follows several actors as they attempt to break into the movie business. More raw footage from the interview with Sally Kirkland, taped at her home.

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  [Making It In Hollywood raw #83]

  Arts & Culture, CLIR, Guerrilla Television, Making it in Hollywood, On the Media

  Raw footage from the 1976 documentary “Making It In Hollywood,” which follows several actors as they attempt to break into the movie business. This tape takes place on the set of the made-for-TV movie “Stonestreet: Who Killed the Centerfold Model?” with actress Sally Kirkland. We watch behind-the-scenes footage, including: the make-up crew doing their work on Kirkland; Kirkland rehearsing with the director; the gaffer and cinematographer lighting the set; and Kirkland performing multiple takes of a scene.