[Chicago Crossings: Bridges and Boundaries, reel 32; John Rozelle]
Artist John Rozelle talks with Kartemquin Films about Black-Jewish relations, his childhood dreams of becoming an architect, and his research-heavy artistic process. Continue reading
Home » Posts tagged 'bridges and boundaries: the creative process' (Page 2)
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![[Chicago Crossings: Bridges and Boundaries, reel 32; John Rozelle]](https://mediaburn.org/wp-content/uploads/2018/02/653941720_640-228x160.jpg)
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![[Chicago Crossings: Bridges and Boundaries, reel 31; Marva Jolly]](https://mediaburn.org/wp-content/uploads/2018/02/653941772_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 31; Marva Jolly]
In the second part of an interview with Kartemquin Films, artist Marva Jolly tells about her family, her upbringing, and her spiritual view of the world. Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 30; Marva Jolly]](https://mediaburn.org/wp-content/uploads/2018/02/653941778_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 30; Marva Jolly]
In a 1994 interview with Kartemquin Films, artist Marva Jolly sheds light on the racial issues plaguing America and how she deals with these issues personally through her artwork. Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 29; Parada/Walker]](https://mediaburn.org/wp-content/uploads/2018/02/653941278_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 29; Parada/Walker]
In the final part of Kartemquin Films’ visit to Esther Parada’s studio, Jerry Blumenthal talks with her and Hamza Walker about their piece for the Spertus Museum of Judaica’s show, “Bridges and Boundaries: Chicago Crossings”, as well as their inspirations for the piece and their thoughts on Black–Jewish relations. Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 28; Parada/Walker]](https://mediaburn.org/wp-content/uploads/2018/02/653941706_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 28; Parada/Walker]
In the third part of Kartemquin Films’ day in Esther Parada’s studio, she, Kerry Marshall, Hamza Walker, and Marva Jolly experiment with Photoshop; manipulating a number of Marshall’s headshots, and joke and talk in the process. Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 27; Parada/Walker]](https://mediaburn.org/wp-content/uploads/2018/02/653941309_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 27; Parada/Walker]
In the second part of Kartemquin Films’ visit to Esther Parada’s studio, Parada and fellow artists Hamza Walker, Marva Jolly, and Kerry Marshall discuss their pieces for their upcoming group exhibition and how they got their names. Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 26; Parada/Walker]](https://mediaburn.org/wp-content/uploads/2018/02/653941767_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 26; Parada/Walker]
Esther Parada and Hamza Walker film and joke with fellow artists Kerry Marshall and Marva Jolly in preparation for their multimedia piece for the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings.” Continue reading
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![[Chicago Crossings: Bridges and Boundaries, reel 24; Joel Feldman]](https://mediaburn.org/wp-content/uploads/2018/02/653941256_640-228x160.jpg)
[Chicago Crossings: Bridges and Boundaries, reel 24; Joel Feldman]
Artist Joel Feldman shows four of his pieces for the show and talks with a Kartemquin Films crew about what he hopes to inspire with his artwork and the importance of humor in battles for social justice. Continue reading