[Giving Birth: Frederick Leboyer 1]
An interview with Dr. Frederick Leboyer, author of the book Birth without Violence, for the documentary Giving Birth: Four Portraits.
An interview with Dr. Frederick Leboyer, author of the book Birth without Violence, for the documentary Giving Birth: Four Portraits.
An interview with Dr. Frederick Leboyer, author of the book Birth without Violence, for the documentary Giving Birth: Four Portraits.
Footage from an interview with Dr. Frederick Leboyer for the documentary Giving Birth: Four Portraits, directed by Julie Gustafson and John Reilly.
Footage of an interview with Dr. Frederick Leboyer for the documentary Giving Birth: Four Portraits, directed by Julie Gustafson and John Reilly.
An interview with Dr. Frederick Leboyer, author of the book Birth without Violence, for the documentary Giving Birth: Four Portraits.
An examination of American birthing traditions focusing on four couples and four different types of childbirth: a standard hospital delivery with high technology and anesthesia, a Leboyer “birth without violence,” a Caesarean section, and a midwife-assisted natural childbirth using the Lamaze method. The first collaboration of husband and wife documentary team Julie Gustafson and John Reilly, GIVING BIRTH illustrates the joys and pains of childbirth in intimate, video vérité portraits. Through interviews with Frederick Leboyer, Elizabeth Bing and Margaret Mead, GIVING BIRTH contextualizes emerging ideas and techniques for birthing. As Mead says, “There are cases when childbirth is surgery, but there is no reason we should take a life process and treat it always like a disease.” One of the first video documentaries produced by WNET’s pioneering TV Laboratory, GIVING BIRTH aired nationally on public television in 1976 to critical acclaim. The Scripps Howard News Service said, “Splendid… absolutely candid…The medical, physical and spiritual points of view explored.” According to John Cashman of Newsday, “Men should see it…Women should see it…Explicit and absolutely real.” Originally shot in ¾” Color and B & W video. Winner of “Best Video Documentary” awards at the Athens Video Festival (1977) and the Chicago International Film Festival (1977).