[Howard Zinn raw #15: Archival footage and images, from WWII]
Archival footage of WWII and still photographs of child laborers. Continue reading
Home » Posts tagged 'war'
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![[Howard Zinn raw #15: Archival footage and images, from WWII]](https://mediaburn.org/wp-content/uploads/2018/02/677156187_640-228x160.jpg)
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Newshour: Kosovo refugees
News segment detailing Kosovo refugees’ trip to America, the process they undergo upon arrival, and personal stories of survival. Continue reading
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Home Life
Home Life was shot in Esteli, Nicaragua, in August, 1984. It is a city midway between Managua and the Honduran border whose people acutely felt the impact of U.S. supported contra raids. Videomakers Julia Lesage and Chuck Kleinhans and Seattle-based minister Randall Mullins lived with the people of Esteli for five weeks, and Randall made this tape with the Diaz family to introduce to his parish back home the Nicaraguan family whose life and love he had shared. Continue reading
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![[Panama – John Dinges]](https://mediaburn.org/wp-content/uploads/2018/02/647765308_640-228x160.jpg)
[Panama – John Dinges]
Part of the Global Perspectives on War and Peace Collection. Two sections: U.S. military intervention in Panama and a discussion with Panama expert John Dinges. Continue reading
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Namibian Independence, 1990
Part of the Global Perspectives on War and Peace Collection. Continue reading
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Israeli Soldiers
Part of the Global Perspectives on War and Peace Collection. Israeli soldiers discuss their moral difficulties with being a part of the fighting in Gaza. Continue reading
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Image Union, episode 1222
Part of the Global Perspectives on War and Peace Collection. In December 1989, videomaker Andrew Jones was in Panama, working on a documentary about President Manuel Noriega. On the eve of the interview, the U.S. invaded Panama amid rising tensions between the two countries. The United States had been claiming the Noriega was a drug trafficker and dangerous to America. Jones spends time with the everyday Panamanians as well as Panamanian government officials, and as a result, becomes increasingly suspicious of the portrayal of the invasion by the U.S. government and media. The documentary includes powerful on the ground footage during the U.S. attack. Continue reading