[Chicago Crossings: Bridges and Boundaries, reel 33; John Rozelle]
In the second part of an interview with Kartemquin Films, artist John Rozelle talks about a few of his recent pieces and explains the reactions he aims to invoke with his artwork.
In the second part of an interview with Kartemquin Films, artist John Rozelle talks about a few of his recent pieces and explains the reactions he aims to invoke with his artwork.
Artist John Rozelle talks with Kartemquin Films about Black-Jewish relations, his childhood dreams of becoming an architect, and his research-heavy artistic process.
In the second part of an interview with Kartemquin Films, artist Marva Jolly tells about her family, her upbringing, and her spiritual view of the world.
In a 1994 interview with Kartemquin Films, artist Marva Jolly sheds light on the racial issues plaguing America and how she deals with these issues personally through her artwork.
Artist Joel Feldman shows four of his pieces for the show and talks with a Kartemquin Films crew about what he hopes to inspire with his artwork and the importance of humor in battles for social justice.
In an interview with Kartemquin Films for their 1994 documentary, “Chicago Crossings: Bridges and Boundaries,” artist Joel Feldman talks about “Jewishness,” his upbringing in Washington D.C., and presents his opinions regarding the politics of racism.
In a stream-of-consciousness-style interview with Kartemquin Films, artist Edith Altman talks about the role of the “scapegoat” in Black and Jewish history, the role of art in society, bigotry and the possibility for forgiveness, the “Black holocaust,” and her upcoming piece, “How Shall we Teach our Children?”
In the second part of an interview with Kartemquin Films as part of their 1994 documentary, “Chicago Crossings: Bridges and Boundaries,” artist Edith Altman talks a great deal about the Lubavitchers as well as the role of children in her upcoming piece.